![]() Studiologic MP-13 one-octave MIDI floor pedals(2) - Kawai K-1r II MIDI synth. GX - Shure ULX wireless - Boss volume pedal - Boss CS-3 compressor - Mesa-Boogie M-Pulse 600 amp - Mesa-Boogie Road Ready 6 x 10" cabinet(DI out) ![]() ** The ultra-clean solid-state G-K sound is often layered over the dirty JMP-1 sound(sometimes with a momentary foot switch), and occasionally switched to its ultra- knarly distortion side and played on top of the Marshall! 'clean' sound - Gallien-Krueger ML260E 2-channel stereo 60W amp - in effects loop: Digitech GSP5 fx - dbx 166 compressor - Mesa-Boogie Road King cabinet with 2 12" C90 Celestion speakers run in stereo(same cabinet, open-backed side) - (Sennehiser e609 mounted mic) 'dirty' sound - custom mechanical relay effects switching system: remote full-bypass in/out selection of Boss Auto-Wah FT-2 and Dimension C Chorus DC-2, E-H Electric Mistress Flanger, ADA Flanger, Dunlop Uni-Vibe and Tremolo, (2)Boss RPS-10 Pitch Shifter/Delay - Marshall JMP-1 Tube Preamp - Mesa-Boogie 50/50 Tube Power Amp - Mesa-Boogie Road King cabinet with 2 12" Vintage 30 Celestion speakers(closed side) - (Sennheiser e609 mounted mic) GX - Shure ULX wireless - Rane 5-band parametric EQ - Rivera A/B/Y box(remote control) to alternate between: ![]() ![]() For clarity, these four signal chains will be summarized below in their sequence, from instrument to audible sound. It has grown to encompass MIDI synthesizers for floor pedal use, mixers for use by the ASIA instruments, and bass guitar amps for the GX. The amplifier/effects/synthesizer rig that has served as the brain of the s2n GX sound has evolved into its present state over many years, starting strictly as Blair's live guitar rig. ![]()
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